Archive for the ‘Features’ Category
Yesterday I saw a tweet from WayForward, a games developer that specializes in a retro feel and hand drawn animation, that it was celebrating 25 years. That’s impressive, especially when you consider that 1990 predates the Super NES and also because the 16-bit style has been around now for two and half decades. If you fancy yourself a fan of that era, long for the days of gorgeous hand drawn animation with large sprite-based characters on screen, and a 2D plane then WayForward is just the developer for you. Oh yeah, and its strongest titles are typically tough as nails so just like back in the 90s you’re going to have to die a lot and restart before you ever think about beating one. It should also be noted that WayForward is of the few studios that can really get a licensed game right and with the amount of care and detail afforded to this company’s many licensed outings it is akin to the Capcom Disney games. All of these reasons and the fantastic original series Shantae make WayForward a developer that retro enthusiasts should definitely know.
Voldi Way, founder and current self-proclaimed Tyrannical Overlord, started the company in 1990 as an independent developer out of Valencia, California. He had an interesting childhood that included acting – his most notable film being The Changeling in 1980 – and founded a software company for sheet metal fabrication at the age of only 14. At 20, he broke off from his partners to form WayForward for gaming software design and development, at that time his original company was netting more than $5 million annually. Way named his company WayForward Technologies as a reference to the Douglas Adams book Dirk Gently’s Holistic Detective Agency in which character Gordon Way founds a company named WayForward Techonologies. Logically, the focus at the time were the current 8-bit and 16-bit consoles/handhelds: Sega Genesis/Mega Drive, Super NES, Master System, Gameboy, and Game Gear.
The company’s first release was Mickey’s Ultimate Challenge, a 1994 puzzle platformer published by Disney Interactive for the the aforementioned systems (the Master System port didn’t release until 1998 for some reason and was the final released title for that console), that focused heavily on art and animation while featuring basic puzzles for younger players. From the beginning WayForward always had a tendency to make games look great with large sprites and fluid animation rather than focus heavily on gameplay mechanics, a tactic that lends itself quite well to games targeted at younger audiences. Mickey’s Ultimate Challenge is exactly that, a mix of basic activities like a memory matching game or jumping on books with letters in alphabetical order, all while enjoying seeing Disney friends Mickey Mouse, Donald Duck, Goofy, and others in a medieval setting and costumes. Games press at the time included mostly magazines like Electronic Gaming Monthly (EGM) that didn’t have the audience to reflect either younger gamers or their parents so they provided lower-to-mid level review scores (like 5s and 6s out of 10) with comments relating to it being a weak title for puzzle fans but that younger audiences should love it. Nintendo Power was a little nicer in its review, coming right out and stating that the SNES game was for younger audiences and they will find the game fun. Not the greatest start for an opening work but the quality of art and animation cannot be denied and it gave way to the next big project for WayForward, edutainment.
In 1994, the same year of the release of Mickey’s Ultimate Challenge, WayForward entered into a partnership deal with American Education Publishing to generate a series of educational entertainment (edutainment) titles. This deal was a success and allowed the company to get stronger with its animation and sprite-based work as well as garner some funds and attention with awards for innovation at the Consumer Electronics Show (CES) in 1995. In 1997 the company switched gears with the help of CEO John Beck and focused on small teams and licensed products in a work-for-hire model that includes the entire team into the budget for the game. According to creative director Matt Bozon, it created a surprisingly stable structure when compared to more traditional game-oriented development and allowed that team to stay together for so long. Beck elaborated in an article with Gamasutra how they handled a limited team, “We utilize external teams for specific modular content work. For example if we need character modeling done, it’s a very well-defined, modular task that can be easily shopped out to an external company, and we’ll take advantage of that. For the most part, we don’t. We prefer to use internal team members to do work. But we will staff up with freelance help as project needs dictate.” In addition, this smaller team size and focused project scope meant that a majority of games released early on for WayForward’s new model were portable licensed titles, not unlike a portion of the structure today, but there was usually a decent twist to the actual gameplay that kept the games interesting. The result are games that most of us probably avoided unless we were fortunate enough to be of portable licensed game playing age in the early 2000s.
Wrestling Gameboy Color title WWF Betrayal is one of those titles that transcends whatever the media said about it – I didn’t even bother to look it up – because the WayForward take on the WWF/WWE license created an addictive game that players’ anecdotal remarks are all positive about. The game only fetches about $10 or less on eBay and might be worth picking up if you have interest. I’ve also heard that Godzilla: Domination for the Gameboy Advance, a WayForward port to portable of the very well received Pipeworks Software title Godzilla: Destroy All Monsters Melee!, was worth a look but in closer analysis with overall review scores, GameRankings, and personal experience most of these positive reports must be remembering the PS2/Xbox/Gamecube original because much was lost in translation. One positive note is that all reviewers agreed that the visuals were particularly compelling for the Gameboy Advance, but the gameplay itself couldn’t make the jump to handheld, which was common for the time. For good or for bad, WayForward continued to create visually compelling works that garnered enough attention to keep work coming as it led up to the first original intellectual property (IP) that still remains one of the best games for the Gameboy Color: Shantae.
Of all the personalities at WayForward, the individual you are most likely familiar with is Matt Bozon, who is now creative director at WayForward and creator of the infamous Gameboy Color platformer Shantae. Fun fact: he’s also brother to former IGN journalist Mark Bozon, which is why the last name may ring a bell if you followed IGN from 2005-2010. Oddly enough, Mark worked on the Nintendo team and frequently heard about his brother’s work on the Nintendo Voice Chat podcast or among the other IGN reviewers, but to my knowledge has never reviewed his brother’s games (and never should have). Back to Shantae, it was the first original title from WayForward and was a puzzle platformer featuring a young half-genie (genie mom and human dad) that is protecting a small fishing village when pirate Risky Boots and his band of thieves steals a steam engine. The character Shantae is actually the brainchild of animator Erin Bell, who worked with Matt Bozon at the California Institute of Arts (CalArts as it’s often referred) and worked as a freelance animator with WayForward from time to time. Spoiler alert: Erin married Matt and is now known as Erin Bell Bozon and the two came up with the defining characteristics of the character while together. Erin based Shantae on one of her campers back in her camp counselor days and pictured her dancing and summoning animals as special powers, but it was Matt who came up with the signature hair whip move based on Erin’s long hair constantly whipping into Matt’s face when she would quickly turn around near him. Matt Bozon went to work on the project as an internal labor of love to flesh out the character’s origins and create a game within the team’s spare time. Development began in 1996 and was originally intended to be a PC or Playstation/Saturn game until owner Way scaled back the project and internally it was moved to the Gameboy Color. Using the engine created by Jimmy Huey for Xtreme Sports earlier, Huey made an art capture tool that allowed for quick and easy transition from canvas to game engine. While not talked about much, Huey’s programming skills at transitioning art are quite impressive and his work at WayForward for more than a decade reflected that. After about 4 months and with a few changes to the mechanics and aesthetics (Shantae was originally a brunette and she had dancing as specific moves instead of animal transformation), the game was wrapped up and ready to start looking for a publisher in 2001. It should be noted that this long development cycle is due to the fact that the game had potentially many iterations, changed platforms, and was clearly something to do on the side when current projects weren’t in the way, so it is logical that this would stifle the completion. Finding a publisher had proved to also be a challenge because aside from the relatively low publishing budgets of original IP on portables, the Gameboy Advance was releasing and shadowing Shantae’s home platform on the Gameboy Color, and the game required a special cartridge to produce its impressive visuals that made it more expensive to manufacture and thus reduced profit margins. Eventually Capcom did agree to publish the game, but held it into 2002 to allow the Gameboy Advance launch craze to taper off, and unfortunately the game did not perform as hoped. As a silver lining, Shantae received high critical praise, many above 9/10 or 90/100 on review scales and is still considered one of the best Gameboy Color games to ever release. For a long time players wanted to get their hands on and play the title but its low sales made it a rare and expensive find online until its recent re-release on the 3DS Virtual Console (worldwide) in 2013. Now anyone who wants to check it out can on a 3DS for the worthwhile price of $6.
WayForward continued on despite the lack of success with Shantae and continued to garner work with licensed properties on portable consoles and eventually transitioned to the Nintendo Wii. Of these projects some of the more notable is the fantastic Contra 4 on the DS that perfectly captures the feel of old school 2D Contra and picks up right after the events of Contra III: The Alien Wars on the SNES, abandoning all that had released since. Despite critical praise, it didn’t sell well, and lately there seems to be some backlash against the game for being “too hard”, which will remain consistent with a majority of WayForward’s games. Thankfully there are still enough copies around that it only fetches about $15-$20 online. Another great revival from the past is 2009’s A Boy and His Blob for the Nintendo Wii that features some of the best visuals that console has to offer, a much improved mechanic and campaign than the original, and is just about the cutest title core gamers would be interested in playing. I’ve never gotten around to playing the game, but it is on the shelf, and it will probably have to become a game club title sometime this year to finally push me into giving it a try. What makes this title so intriguing to me is that I loved the concept originally introduced in A Boy and his Blob: Trouble on Blobolonia by David Crane (Pitfall) on the NES, but it has too many fail states that even if you know exactly what to do there’s a high chance you will not complete the game. This title was also praised critically, especially for WayForward’s incredible ability to update a game “the right way” and keep it faithful to the original while tweaking what didn’t work. At the same time that old complaint of the game being too easy for adult core gamers that might remember the original and twitchy controls prevented a many gamers from picking it up, although this could also be due to the Wii just not being a popular platform for that crowd. Another decent DS title that won’t cost you much is the licensed game Aliens Infestation that might be one of the best, if not the best, Aliens licensed games to ever come out. It’s a MetroidVania set on the USS Sulaco (the ship from Aliens) after it is intercepted in open space following the events at the beginning of Alien 3. You play as one of four marines in a team sent to investigate the abandoned ship and series planet LV-426 to uncover the activities of the Weyland-Yutani Corporation and the bio weapon project involving the aliens. When you die the adventure continues with one of the other four marines unless you lose all of them and then it’s game over. I’ve not gotten a chance to try this gem, but like most of WayForward’s library, I picked it up with the intention of playing it and haven’t gotten to it yet. Everything I’ve heard from those that played it were unanimously positive. Also if you are a fan of the original, WayForward did manage to get a sequel to Shantae, Risky’s Revenge, out on the DSiWare store and it can now be downloaded on either a DSi or 3DS as well as recent releases on the PC and iOS store (although I have no idea how a puzzle platformer takes to touch controls).
It was at this time, around 2011, that WayForward made the next jump into HD consoles Xbox 360, PS3, and PC with several re-hashes of previous properties. I was reviewing games at this time so I had a chance to try most of these outings such as Double Dragon Neon, Bloodrayne Betrayal, and DuckTales: Remastered. Most of these games are consistent with previous re-hashes in that the graphics are gorgeous (and unique for an era where the hand-drawn sprite was almost completely replaced by the 3D rendered model) and that they are too difficult. It was at this point that I realized too many individuals had an idea in their head of what these retro games were, but few of the people playing them – including reviewers – had actually gone back recently to see these beloved franchises for their flaws. Double Dragon is the easiest game to poke at given that in hindsight there leaves a lot to be desired from both the arcade game and the NES version that is longer, clunkier, and more positively regarded. I bring this up because Double Dragon Neon is a stronger and oddly enough more fair game than the originals it stems from and the biggest gripes or gameplay mechanics that modern reviewers poked at were series staples from the originals that WayForward transplanted in. It just goes to show that most of the audience of remakes are living in nostalgia world and don’t really want games that are the same as the way they used to be. This is double for Bloodrayne: Betrayal, which I found to be a fantastic new 2D platformer/brawler take on the 3D original that offered every bit as much care, content, and challenge as any old school 16-bit title but most reviewers completely dismissed for being too hard and even bragged that they refused to complete before writing a review. Well I played it, I did complete it, and I reviewed it positively. While I will admit that no reviewer’s opinion is wrong, especially if properly backed up, I do take large issue with anyone who reviews a game and does not either complete it or see it completed by someone else in person. Finally there is DuckTales: Remastered, WayForward’s tweaking of the original NES title DuckTales, that I just didn’t agree with. Many liked it and even more of the audience had a much easier time with it than me, but it all boils down to the simple fact that I did not care for the inevitable tweaks of this remake. Regardless of how you felt about these games, there’s no doubt that they can be polarizing, which isn’t good from a sales perspective. All are available digitally on the 360/PS3/PC and a couple have been given out through the Playstation Plus program, so check if you have added them in the past.
Recently WayForward has continued on doing what they do best: licensed games on portables that look amazing an add something new to a genre that is almost universally made up of terrible games. Perhaps there are more re-hashes for the future and possibly even some new properties, but regardless WayForward should be commended for twenty five years of fantastic titles, tech, and never forgetting its roots. Someday I hope to try out that new TMNT title Danger of the Ooze, see what all the fuss is about regarding these Adventure Time games, and finally getting to Shantae and the Pirate’s Curse, the recently released third Shantae installment, before the release of the successfully Kickstarted Shantae 1/2 Genie Hero later this year.
Man do I love my MAME cab. In the culture of emulation, I’m not too keen on the concept. I understand that emulation is necessary and that it has been an essential tool in not only archiving these great works of the past but also in allowing me to play import and fan translated games I otherwise never would have experienced. Still, I think that more often than not emulation gives way to piracy. If I want to go get Super Mario Bros 3 on NES, I’ve got a slew of choices: I can buy the original hardware and game, I can emulate illegally, or I can purchase legal emulated versions (Virtual Console). In most of those scenarios I opt to purchase the tangible hardware/game – but this is not always the case as I have never purchased a Turbografx-16 CD console to play the handful of favorites like Rondo of Blood and instead “settled” for emulated, legal, Virtual Console and PSN versions. On the arcade front the story is a bit different. Not only do I have to pony up large sums of money for the hardware/software – in this case being a working cabinet and PCB board – but I also have to make space, transportation arrangements, power consumption, safety, and in many cases repairs. It’s one thing to buy a PS1 game from Kentucky, have it shipped to you, resurface it if necessary, and then enjoy it. For a good working Salamander cab I may have to pay $500-$1,000 upfront on eBay, drive to Kentucky with a large truck, move the whole thing over 1,000 miles without damaging it and paying for gas/transport, move it into my house, and then most likely degauss a monitor, replace some wires, re-solder some button connections, and if I’m lucky I can play that single game for about 30 minutes before it’s time for my A.D.D. brain to move onto the next new thing.
Enter MAME, Multiple Arcade Machine Emulator, for the PC. MAME is nothing new, the initial C++ build premiered in early 1997 when I was only in high school. It has come a long way since then, but the core of the emulator remains intact and it allows you to play just about every arcade game that has ever come into existence and customize nearly every aspect of each game. This comes with a price: at its core the emulator is command prompt (ie: what you used to call “DOS” if you aren’t familiar with command prompt inputs) that stops many players dead in their tracks. It seems easy at first, just pull open a command prompt, type “mame.exe” along with the name of the game (rom) you want and go. It gets complicated when you try to do things like adjust resolution, fit parameters, add enhancements built into MAME, use arcades with special languages or hard drives (SNK Neo-Geo or Capcome CP2 cabs), utilize controllers, or just plain flip a vertical game like Donkey Kong to working in the horizontal resolution of your monitor. As a result, the MAME frontend has existed nearly as long as the program itself. A frontend is a program that basically controls all of the aspects of MAME, puts in all the command prompt lines and options you want, and makes an easy launcher that usually contains an entire list of available games along with things like bezel art, marquees, screenshots, and even gameplay video. With a copy of MAME (it is free at mame.net), a set of roms (be them a few or a complete 4,000+ set – don’t ask where to get those), and a frontend (here’s where to get those) you can create an all-in-one solution for an arcade on a relatively outdated PC that should only run you $100 today.
That’s just the beginning for many arcade addicts such as myself. In college it was great, I just turned on this old Windows 98 machine that I set up to autorun the frontend Mamewah, and used the keyboard to play. Eventually you beat DoDonPachi or Final Fight (neither arcade version available by digital means in 2001 when I was in college) enough times that you want the arcade “feel” and upgrade to a gamepad. Using a program like Joy2Key (turns joypad buttons into keyboard presses and it’s free here) you play with the gamepad and pretend your PC has become and arcade console, but eventually that’s not good enough. You do some stupid stuff like buy $200 X-Arcade USB sticks (link) or adapt PS2 Street Fighter 15th Anniversary sticks to your PC, but all have a limited life span and expensive replacement cost that you think twice on whether or not this is a correct solution. Lets face it, arcades from the 80s and 90s were built to be abused and these fragile re-creations of the last decade or two just cannot compete. Eventually you decide to yourself that you are going to get an arcade cabinet.
That story is different for everyone. Some super classic fans get the Multicade, which is a 60-in-1 collection of the most popular vertical raster games from the past, slam that PCB into any Jamma cabinet (we will get to that later), and now you have simple but addictive games like Ms. Pac-Man, Donkey Kong, and Dig Dug at your fingertips. Others grab those Neo Geo MVS cartridge-based cabs and scour eBay for the perfect combination of two or four classics from that library. Some will buy their favorite game growing up, which is usually safe and inexpensive because by definition our arcade favorites were the ones that saw mass release like Mortal Kombat, Street Fighter II, a Konami licensed brawler, or a shmup. You’ll buy that, play it to death, and then I assure you it will eventually collect dust. Then there are those like me who pick up the cheapest arcade cabinet that meets their needs (in my case it was a Pit Fighter cab with a working 25″ monitor that some guy gave me for free provided I came by and picked it up) and convert it to a MAME cab. In many cases these conversions do not damage the original hardware, require no soldering or electronic knowledge, and only need a scant bit of software knowledge. The following article (with the longest intro in history) discusses the steps to turning a simple arcade cabinet into a MAME cab, the cost involved, and the high level process to making it a reality. As always, you can hit us up at the Contact link if you have additional questions for your setup, but please note that there are lots of online arcade resources that are probably much better than I am. Also if you want to rehab or fix a single game arcade cab or are just curious about that side of it, a great technical resource is John’s Arcade on YouTube.
Selecting Your Cab
For me this was easy: I wanted something that fully worked with the biggest monitor and cheapest price. As I began shopping I learned that most arcade monitors are between 19″-25″ and a vast majority will have horizontal resolution (like your TV, think Mortal Kombat) vs. vertical (think narrow sideways widescreen monitors like early games Space Invaders, Galaga, and Frogger). There are also two monitor types: raster and vector. Raster monitors look much like the monitors and TVs of today, except that they tend to operate at a 640×480 resolution in 15 khz (which is a much lower frequency than computer monitors, more on that later). Vector monitors are actually beams of light that create razor sharp graphics in either single color or multicolored setups that have more archaic graphics because they are literally drawing the image. Vector monitors are rare because they weren’t in many games and a large quantity have died out and no one is making new ones – games include Red Baron, Tempest, and Asteroids. Vector monitors usually are vertical resolution and should not be used for MAME cabs (not even sure it’s possible). You also will benefit from getting a setup with the proper wiring structure, in this case I recommend the Japan Amusement Machinery Manufactures Association (or JAMMA) setup. JAMMA is the most common wiring for arcade cabinets and it was widely used across the world because you could program your game to use this wiring setup and then swap the PCB (game) in and out of the cabinet at will. It allowed arcade owners to buy like 30 cabinets and then just swap the bezel art, marquee, and PCB around to turn any cab into any game. As a result most of your second generation games and later (1987-2000) will usually have JAMMA wiring, harnesses, and setups. You can easily identify the JAMMA setup by the PCB wiring, or just doing a quick search on Google before buying a specific machine. Please note that JAMMA is either wired for 3-button or 6-button, the later usually only being used by fighting games that already have six buttons, but either can be used by a MAME setup. It can be time consuming, techincal, and an overall headache to convert a 3-button JAMMA to a 6-button because you have to re-wire the whole cab. You have been warned.
In the end I would say that a good two-player, 3-button, decent monitor JAMMA cab can be had for under $200 – sometimes even free like mine – and once you’ve done the wonderful process of moving it (bring a friend and a dolly) and quite possibly disassembling parts of it or your house to get it into a room, you’re good to go. If you are a fighting fan, need a complete working list, or various other factors, a Capcom fighter a la Street Fighter II and its various iterations can be the better option, but cabs like that can vary, get expensive, and have limited quality so use caution when purchasing what is quite possibly the most modded arcade game of all time. Always wanted to find a good well kept Killer Instinct myself but to no avail.
Selecting Your PC
Plain and simple Windows XP is the best PC to run MAME on because it’s compatible with every version, every frontend, and every software solution to making a PC run in a JAMMA harness. You can get by pretty well with Windows 7, but most people I know downgrade to XP (full disclosure: my first MAME PC was an XP but my current is a Win 7). You don’t need too much hardware and an external graphics card, while necessary for this conversion, has absolutely no bearing on the graphics. It’s all in the processor. I usually try to find a 3.0 ghz Pentium 4 or around there because right after that when they went multi-core MAME isn’t optimized for it. RAM can be a biggie because it determines the games you able to play, although 2 GB of RAM are required by Windows 7 and that should be sufficient (and frankly the 512 MB required by Windows XP will still run a vast majority of games). Since price and spec of computers change on a daily basis, this may not be a great reference later, but currently a perfect PC for MAME use would be this one at Micro Center (the Dell Optiplex GX620 Big Case) for $100 (it comes with Windows 7 but XP will be free these days). Even better, this PC supports external PCI-e graphics cards, which most MAME cab creators will need. When purchasing these cheap PCs for your setup, be sure to verify it can do that because there are many former office PCs that have an open PCI-e slot that cannot use them for graphics cards. Again, a quick Google search will help you determine what’s best. Once you get this computer, you’ll want to set it up with all your software and basically make it work the exact same way you want your MAME cab to work before starting the process of converting to your actual cab and adding in the graphics card. You may even want drop a shortcut to your frontend in the “startup” folder for windows so that your PC will boot right into the menu and thus remove the need for keyboard/mouse when finally integrated into your cab.
Selecting Your MAME Version and Frontend
This is completely dependent upon the user. Some people like different versions of MAME than others and at times it may come down to the rom set you have (many MAME rom sets are based on the specific version of MAME they are compatible with due to the name of the roms at the time that version was published). If you mix and match rom sets for one version with a different version of MAME, some roms may be unrecognizable but I do not know how drastic these changes are. You’ll do a lot of reading through message boards in your journey and you may find the version you think is best based on the feedback of others in your search. As for the frontend (links in earlier paragraph), that again comes down to how much customization you want, what operating system you are using, what kind of cab you are using, and then personal preference. The plus side to frontends is they are their own program so feel free to load up the specific MAME and rom set you want and then bounce around between frontends until you find one you like. Again, MAME rom sets are not legal so how you obtain them, how many you obtain, and various other questions involving the games themselves cannot be answered here and will not be answered if you contact the site. Your answer lies in a search.
Putting it Together
Now that you have a working cab and a working MAME PC, you have to put these guys together. This will require the following: an interface solution (some form of hardware/software that links the PC to the cab for button inputs and video/sound output), a way to send the correct video signal to your cab (this will be a graphics card of some kind), and a few bits of software to connect the pieces.
First off, the interface solution. This will almost universally be handled by a J-PAC (I always use UltiMarc), which is a $60 item that plugs into your JAMMA PCB plug and will hook up to your PC’s video card, keyboard/USB port, and also accepts a separate keyboard (if necessary) for you to interface with. In return it will give your PC keyboard inputs for all of your directional pads and buttons. This will be how you can interface with MAME via your cab. Now, while it does
have frequency jumpers for 15/25/31 khz so as not to burn out your arcade monitor with too much power, it does not convert the signal down to those frequencies so you will need a proper graphics card that can do this. J-PAC is ready to go with 3-button setups but will require some re-wiring for any 6-button setups (although you can try plug & play but I doubt it will work). There is a disc that comes with it that contains instructions on various setups, but for the most part I find the J-PAC to be ready to go out of the box (other than the monitor frequency jumpers).
Next is the graphics card. In order to display your PC on an arcade cab you need to get the resolution proper for display (most horizontal monitors are 640×480) and the frequency correct (most monitors I’ve worked with are 15 khz). The easiest way (but not the cheapest way) to do this is to purchase the ArcadeVGA graphics card (also from UltiMarc) for a whopping $90. The plus side you get out of this card is that it’s tailor made for what you want and does pixel perfect recreations on your arcade monitor without software or settings. This is an especially tempting option if you need a J-PAC and purchase at the same time. I have seen them in action and they are nice, but I already had a graphics card that works and a J-PAC so I opted out of this for my current setup. It’s by far the easiest and best option.
Alternatively, you can use a software called Soft15k to force any compatible graphics card to get your PC resolutions and frequencies used by arcade monitors. You’ll be spending some time in the FAQ on this one. If you scour the FAQ you can find compatible graphics cards (I’m in there too), but what I used was a Radeon HD 4350 by Gigabyte I can vouch for and the Arcade VGA is based on the Radeon HD 5450 so those are good starting points. Try to pick cards from that era because they were low profile and required no additional power like today’s cards. Also before you ask (and get no answer), Soft15K does work with Vista (don’t use this OS) and Windows 7. The catch with Soft15K is that once you install it and shut down, the next boot will be in 15 khz and thus won’t display on a monitor, you’ll have to plug it into your J-PAC, turn on your arcade and pray that after it boots you get a viewable screen. Remember to find and adjust the vertical and horizontal placement, size, and v sync to make sure the picture is not rolling, centered, and fully viewable (it’s usually 6-8 nobs with labels found somewhere on or around your monitor). Assuming you’ve gotten it all set up, you should have a working MAME cab like this!
Cost and Final Rundown
So, how much should you expect to spend? Of course it will vary based on arcade cabinet, hardware, software, options, etc. Here’s a quick breakdown of my setup and you should be able to freely adjust the slight changes to your preferences.
Arcade cabinet: $0.00 (but $150.00 in transport costs for renting a UHaul – be sure to rent the dolly too – and paying for gas and pizza/beer for those that helped me)
Computer: $100.00 (try not to spend more or use a modern rig)
Graphics Card: $30.00 (Gigabyte Radeon HD 4350)
Random purchases: $150.00 (hardware, parts, degaussing coil, external speakers, etc)
Total Cost: Approx $500
Total Time Spent on First Build: Approx 10+ hours (spread over a week)
Again, your mileage may vary, but this is a good and (relatively) inexpensive way to play any arcades you would ever want. Granted, based on cost and space this is not the option for everyone but without the cabinet the PC portion and price definitely can be.
The two notoriously addictive and challenging 3D racing games produced for the Nintendo 64 were Mario Kart 64, developed by Nintendo and released on February 10th 1997, and Diddy Kong Racing, developed by Rareware and released on the 21st of November 1997. Both games skyrocketed in sales and popularity, with Diddy Kong selling over 4.5 million copies and Mario Kart selling over 9 million copies. The outrageous sales of Mario Kart 64 was arguably due to the fact that the characters were previously known and established by Nintendo in previous games, whilst the characters featured on Diddy Kong Racing were generally new installments.
In fact, Nintendo used Diddy Kong Racing as a platform to set up new characters to be released in other Nintendo games; these were characters such as Banjo the bear (the Banjo Kazooie series following) and Conker the Squirrel (the infamous Conkers Bad Fur Day followed). But the age old debate between old school and retro gamers remains: which was better? There are hardcore advocates and arguments on both sides, some of which we will take a look at.
Typically racing games do not have or need a strong storyline. It is arguable that if people have bought a racing game, they want to race vehicles around a track, not play an action adventure. There are certain disadvantages including a storyline, such as once you have taken all of the available cars for a spin around every track, where is there to go from there?
Mario Kart 64 has no discernible storyline – effectively, Mario and his friends have all gathered together and decided to race – that is simply it. On the other hand, Diddy Kong Racing has a developed, all be it mental, storyline. It involves Wizpig, an alien pig from space, trying to take over an island that a tiger has been put in charge of… and there’s a flying elephant at some stage… it’s crazy. However, this injects a huge element of fun into the gameplay. When you have a known adversary to eventually race against, it spurs you on and gives you the drive to race again and again.
This is what Mario Kart 64 is missing. The argument is that a single player mode that involves racing against the other characters again and again with minimal dimensions to the story don’t give you a drive to continue playing for hours and hours on end.
Within Mario Kart 64, every track has been extremely well thought out and detailed, complete with the music reflecting the mood and feel of each track. You always know which track is your favourite and which one is your worst because they are all extremely distinct from each other.
When looking at the racing courses on Diddy Kong Racing, so many tracks evoke a feeling of unremarkability. Having played both, I couldn’t tell you which is my favourite Diddy Kong course, but I can instantly recall my favourite Mario Kart track (it’s Toad’s Turnpike).
The controls in Mario Kart 64 are, unfortunately for Diddy Kong Racing, unparalleled. Both the responsiveness and the terrain interaction match perfectly to give an accurate representation of each player’s ability at the game itself. Diddy Kong Racing, on the other hand, struggles to match up to the same level of responsiveness, and the terrain can make the game almost unplayable on some of the (ice) levels.
The vehicle selection in Diddy Kong gives you access to a selection of cars, planes, and hovercrafts. This, whilst giving more of a variety of gameplay to a gamer, has upsides and downsides. The hovercraft is extremely hard to control, cornering like a golf buggy on ice. The planes, although fun, have issues with certain tracks as it is seemingly impossible to turn a corner without crashing into a wall. Even with these detrimental aspects, the vehicle diversity keeps the tracks interesting and challenging.
In Mario Kart, you can develop your technique with each character, but after playing the game for a long time you get so used to the tracks and vehicles behaviour that the game becomes less challenging. This can lead to getting bored with playing the game, which is obviously the opposite effect that the developers wanted.
There is no discernible winner in this category; both games have a great multiplayer component to them. Mario Kart has been supported as being the better of the two for group racing and battle rounds, but I think this is more a matter of personal preference.
Although both games have great attributes to them, I believe that Mario Kart 64 is the winner. This is purely down to reflective talent in the controls and weapon base that the game possess. Although Diddy Kong Racing has a great free roaming edge to the gamer platform, Mario Kart‘s developed tracks and notable characters are unforgettable. In the debate about what’s a better video game, sometimes the effort into developing and making them is forgotten. Product design consultants and software design companies work hard to achieve the best gaming experience for their audience base, and I think that they should be commended with both titles in creating two fantastic and distinct racing games.
How Tetris Has Been Used in Research To Help Health Problems
Tetris that famous game released in 1984. Beloved for its simplicity and addictive nature; but did you know that Tetris has actually been used in a variety of medical studies? There is plenty of research reporting the benefits of gaming despite the media having us believe playing video games turn us into serial killers and dysfunctional members of society. Today’s article focuses on the research studies performed using Tetris.
Tetris good for the eyes.
One interesting study carried out in America and even in the UK is using Tetris to treat Amblyopia. You may know this condition more as a “lazy eye”, where one eye is not seeing as well as the other eye and can be accompanied by an eye turn. It usually occurs at a very young age and current treatment involves patching the good eye to force the bad eye to work. Spectacles are also given to aid this treatment. Unfortunately not all treatments are successful and the lazy eye can remain into adulthood; treatment for a lazy eye in adults is usually ineffective.
A study in in Canada at the McGil Univesity found playing the game Tetris with both eyes open was more effective than patching the good eye¹. In the study participants wore special goggles. Some of the patients had their good eye totally occluded during Tetris play whilst the other participants had both eyes open and the goggles showed different images of the Tetris game.
The study found vision and depth perception improved dramatically and studies are now under way to see if the treatment can help children with a lazy eye.
Tetris curbs your addictions
The UK study on 119 people has found playing Tetris can reduce cravings for people with addictions. Published in Appetite, the study was designed to test Elaborated Intrusion Theory which suggests cravings are not just desire-based, but visual as well. The research hypothesized that performing a visual intensive task can reduce cravings. In this test participants had to describe their cravings before playing Tetris and once the game was complete they were asked to describe their cravings afterward.
Students who participated in the test found their cravings reduce more than 24 percent compared to people who did not play Tetris.
Tetris helps with Trauma
At Oxford University in the UK, Tetris was found to reduce the effects of traumatic stress³.
In this study 40 participants were exposed to distressing images and half were then given Tetris to play after a period of time. The experiment then looked into the number of flashbacks experienced by the participants. The half that played Tetris were found to have fewer flashbacks than the participants who did not.
It was believed playing Tetris helped disrupt the laying down of memories, therefore those who played the game had less flashbacks of the distressing images. Since Post Traumatic Stress Disorder relies on flashbacks like distressing sights, sounds, or smells of a traumatic event, the experiment worked on the principle that it may be possible to modify the way the brain forms memories in the hours after an event.
Of course it is important to point out all of these studies require more information and study to prove the theories. It does go to show that there really is proof that video games can actually be beneficial in helping several medical conditions. Of course that probably won’t change the bad press surrounding the media but who knows maybe in the future Tetris will be prescribed on the NHS and Doctors will be handing us Gameboys instead of pills.
1: lazy eye
Zelda II: The Adventures of Link, Shin Megami Tensei Persona, Ikaruga, Dark Souls. All of these games have one thing in common: they are hard as hell. Since the genesis of the video game difficulty has existed to be the barrier to entry and the extension of game experiences. What is a video game if not a challenge? Originally technology had not caught up with the goals of the medium so games had to use difficulty to bridge the gap of a good experience where visuals and storytelling failed. Nowadays games are just as capable, if not more, than other media in being an interactive experience and therefore difficulty steps aside most times. I consistently hear that the concept of difficulty is dead, that a hard game dictates a good game, and that today’s gamers are weak and catered to. Frankly, I disagree with all of that. Gaming is typically tech dependent and with that dependence comes the evolution of experience, which results in the evolution of difficulty. Games haven’t gotten harder or easier, they have simply evolved.
I think the question of how difficult a game is comes to the amount of time you spend with it, which is why games seem easier today. Traditionally the challenge was intended to get you to play the game more often, justifying the high price tag for a relatively short experience. Take Contra for example, I cleared that game on this very site in roughly half an hour without using any codes. This is not an easy feat for many gamers and definitely much harder for those that didn’t grow up playing the game. While it may have only taken me 30 minutes, there are tens of hours of practice spanning more than 25 years that led up to that run. In contrast, I could not conquer Ghosts’n’Goblins and finally gave up after two hours. There is someone out there who is the exact opposite as me and it’s most likely based on what they have played. This is transparently due to memorization – once you know exactly what is going to happen to the point that the game becomes manageable. The best way to memorize something is to repeat it over and over. Enter the first generation of the difficulty.
Parallel to this initial outing in repetition and memorization comes reflex. Some of you reading that last paragraph may be thinking more of games like Punch-Out!! or even a PowerPad game like Stadium Events that require you to have the skill to conquer them. It doesn’t matter if you’ve memorized Bald Bull’s charge, if you can’t nail the timing of hitting him in the stomach you’re either repeating the dodge till the end of the round or eating canvas. Either way, you’ll never win. Being able to conquer a skill set, nail timing, and basically having the reflexes to perform complex tasks in games like Super Mario Bros. 2 (Lost Levels in the US) either enabled or prevented your ability to win.
Finally there were the dick programmers. Like it or not they didn’t have an appropriate way to blanket difficulty so they were forced to fudge it. This explains such terrible games as Beat Takeshi’s Challenge, Battletoads, and Silver Surfer where being good at the game or memorizing how to beat it meant nothing because the game invariably stacks the odds against you. Repeating an area is one thing but forcing someone into game over screen after game over screen to the point of insanity with nothing but unsavable hours to retread the past is not fun. These games are not fun. They are only used for the purpose of masochism.
From that point they just continued to evolve in a regular pattern until you get the games of today. Nowadays the point of many games is to tell a tale rather than post a challenge, resulting in games like Heavy Rain that have no end game state. On the other hand some of the biggest and oldest gaming tropes hold true. Dark Souls is nothing more than a memorization game, as are any of the bullet hell shmups you may enjoy today. The game never changes its course, it always spawns the same enemies in the same way – many argue to alter this mechanic would navigate it to the “not fun” hard status. Dance Dance Revolution and Guitar Hero/Rock Band are also nothing more than reflex gameplay, requiring that you not only understand what to do, but perform actual physical tasks to achieve your goal. I think the only difference to games today and from the past is the unknown.
Imagine playing The Legend of Zelda for the first time today. I will fully admit that I can breeze through this title in no time, having little fear of taking on Gannon at the end, but then I grew up playing it and knowing its intricacies. I think you would be hard pressed to find someone today that hasn’t played it dedicate the time it would take to figure out the mechanics, find the secrets like where to get hearts and the location of dungeons, and finally complete the game. If that person were to go online, you may accuse them of making the game unfairly easy or cheating to get ahead. This is why people criticize Dark Souls and those that generate guides to get it. It also explains why it’s so popular; gamers get to return to those better days where you have to figure the world out. Also keep in mind that like Dark Souls, it may not be just about memorization or reflexes, but both, which creates a whole new barrier for entry. Still, there will always be those games that are not fun and unnaturally hard for no reason, and for games like Knight’s Contract I say good riddance and the world is a better place without you.
The term “arcade game” these days conjures up images of cutting-edge graphics and sound, combined with innovative and interactive technology that can bring any concept to life. However, good graphics and interactivity have not always been a necessity for a game that is both enjoyable and addictive. I dread to mention the recent phenomenon of the Flappy Bird app but it is an example of an outrageously faulty and basic game becoming extremely popular. This has been seen in the past with games like Space Invaders, Pac Man, Tetris and Asteroids following very basic concepts and graphics, but still being addictive and rewarding when completed.
The Really Early Days
The first arcade games kicked off at amusement parks and are still present at fairs and theme parks, but there’s nothing particularly sophisticated about them. Ring toss, throwing balls at stacked cans, shooting targets, and other simple challenges have been doing the rounds for hundreds of years and can still draw in the punters to this day. Just don’t go expecting an easy win. Perhaps this is what is indicative of a good game – making it appear simple whilst making it actually fiendishly difficult to win. Make it too hard, however ,and you are left with Zelda II.
The introduction of the electric element into arcade games in the 1930s completely revolutionized pinball, which had existed as a spring-loaded tabletop ball game since the 17th century, and the advent of player controlled flippers in the 1940s solidified pinball’s reputation as a classic favourite amongst arcade gamers. Pinball continues to be a popular game to this day with digitized versions adding to the range of machines available. The Japanese even have their own variant of Pinball called “Pachinko’” which features multiple smaller balls in play all at the same time.
The Beginning of the Computer Age
The 1970s was the dawn of computer-based games. Rather than mechanical amusements, which had up until this point held sway. The seminal Pong was released in 1972 and in the late ‘70s and early ‘80s a swathe of arcade classics were released including Space Invaders, Asteroids, Pac-Man, and Donkey Kong. Game cabinets took their lead from pinball table designs but featured digital monitors and player-controlled joysticks and input buttons to control the action on screen rather than physically manipulating items, as in earlier amusement games. Anyone who was lucky enough to be alive at this great time will tell you that Pong was very addictive.
Late 80s Into the 90s – The Birth of the Games Console
SEGA MEGADRIVE – Release Date – October 29, 1988
The Sega Genesis (or Sega Mega Drive outside the US) saw the beginning of the developed console, bringing games like Sonic The Hedgehog, Pat Riley Basketball and Mortal Kombat to life. This product was unwittingly the start of a new generation of gaming. With most of the games relying on reflex and timing, they relied on the same instincts that were instilled in the general population from old arcade games.
GAME BOY – Release Date – April 21, 1989
The Game Boy saw a different kind of gaming completely. The handheld device was a revolutionary idea, and the death of every gamers social life. When I was a youngster I would literally take the bulky object everywhere I went, just for a few more goes on Teenage Mutant Ninja Turtles or Super Mario Land 2: Six Golden Coins. Again, the product design of the Game Boy was very simple, whilst the hardware and software were complex at the time of its release, showing that product design does not necessarily have to be complicated to be popular.
SNES – Release Date – November 21, 1990
What a machine. As a proud owner of a SNES, I have to say that the hours spent in front of the console were some of the best of my childhood. If you think this is sad then you obviously haven’t played the original Super Mario Kart, Street Fighter II or Donkey Kong Country. The design of the console and indeed of the games themselves worked extremely well. It never tried to be too extravagant or design based, simply slot the cartridge in the top (after blowing on it, of course) and you’re in gamer land. Nintendo skyrocketed in popularity with games being created in house and by third parties like Capcom. The product design of the console meant that they could improve the graphics and make a significant move from 2D platform games. Eventually this design would give us the hallowed Nintendo 64, which brought out games such as Banjo Kazooie, GoldenEye, and Mario Kart 64.
Shift Towards The Physical
Fighting games such as Mortal Kombat and Street Fighter II gathered huge followings whilst racers such as Daytona USA developed the trend of simulating an actual in-car experience. Gun games also developed so that players held an imitation weapon and fired at on-screen targets. In 1998, Dance Dance Revolution (DDR) marked a shift towards physical actions and computer inputs being combined. Players “dancing” on arrow pads would try to stay in time with a selected track, simultaneously watching the rhythm and timing displayed on-screen.
This has now led to new product designs and consoles that promote active movement. Consoles such as the Wii and the Xbox One now have the player standing up, moving around, and using themselves as the controller in many games. The future of product design in the gaming industry has never been predictable, but we can see that there is definitely a paradigm shift in the way that people are viewing gaming experiences and indeed the target audience for games.
Increased physical interaction has incorporated all manner of activities that have now been made available in arcade format. Football, guitar, drums, shooting, driving, and many more pastimes have been translated into interactive games with motion control, eye tracking, and other modern features common in today’s games. DCA’s design for the X-Putt, a golf putting game, shows how a design idea and inventive product can combine to create a novel and fun experience for gamers.
Normally we solely talk retro on this blog but with the upcoming PS4 I just can’t help but get everyone acquainted with the story of Killzone. While I’ve been a hardcore fan since the second game (I played the original but didn’t much care for it), most people managed to skip the series due to its long development delays, similar aesthetic to other shooters of the time, and much better marketed titles from both Sony internal (Resistance 2) and competitor Microsoft (Gears of War 2). It really is a shame because Killzone 2 is quite distinct from other shooters of the generation, but I will get into that later in the article. The focus of this is to get you caught up with the story and elements of each game in the series, so that you can jump into the latest iteration, Shadow Fall, at the PS4 launch without having to worry about everything that came before it. Given that Killzone covers three console generations now (PS2-PS4) and almost 10 years, it’s got quite a lineage for a series with three main titles and two portable side stories. Unlike most game franchises, the Killzone series stays mostly progressive with story and each new iteration directly follows its predecessor in the timelineso Shadow Fall takes place at the tail end of the current franchise. I have each game listed below along with a story synopsis and notable gameplay elements and updates to each in the order they take place in the Killzone universe. Without further ado, I give you the Killzone story so far:
It all starts in the distant future where nuclear fallout has all but obliterated Earth and space exploration and colonization has become a lucrative business. Of these colonizing companies is the Helghan Corporation, which reminds me of the ethical compass of the Weyland-Yutani Corporation from Aliens and the dress code of the Third Reich. The conflict first begins with Helghan discovering Alpha Centauri, a system with two planets: Vekta, an Earth-like planet rife for colonization, and a decayed shell of a planet, Helghan, both named after connections to the company. Conflict breaks out as rivals begin to notice the value of Alpha Centauri, necessitating the formation of armies – the Helghast Army of Helghan and the United Colonial Army (UCA) of the United Colonial Nations (UCN) – and leading to the historical First Extrasolar War. War breaks out when the UCN embargo Helghan from sole colonization of Vekta, which they ignore, and thus get invaded by the UCA. In the end the UCA emerge victorious and colonize Vekta, banishing the Helghast to Helghan. With this dichotomy in place, the UCN create an extraordinary military force known as the Interplanetary Strategic Alliance (ISA, think Colonial Marines) to protect Vekta should the Helghast decide to retaliate. Instead of fighting back, Helghan colonizes the harsh industrial planet named after the company and eventually members of the Helghast are born with the ability to breathe the atmosphere of both brutal Helghan air and traditional oxygen. An aggressive leader with all the traits of Adolph Hitler and from the bloodline that can breathe both atmospheres named Scholar Vasari uses a staged assassination attempt and charm to rise above the ranks and take leadership of Helghan, declaring a new world order known as the Helghan Empire. As you can probably tell, this is no longer just a corporate mantra but now an entire people. After preparing a sizable army, Vasari calls for a blitz assault of the ISA on Vekta and starts the Second Extrasolar War.
And that’s just the story before you begin playing. Killzone tells the story of ISA Captain Jan Templar as he fights off the oncoming Helghast forces invading Vekta. After fighting in the outskirts of the main ISA headquarters, Templar is forced to fall back into the base only to find it overrun by Helghast forces. Eventually he will fend off the troops long enough to evacuate alongside fellow soldier Marshal Lugar, who saves his life. During the evacuation another lone solider named Ricardo Velasquez (remember him, he comes back again) assists a platoon from escaping large Helghast resistance, requesting the assistance of Templar and Lugar. It is at this time the two leaders also discover and set out to find traitor General Stuart Adams, a Helghan spy that lowered the alert system and defenses long enough for the Helghast forces to invade. As the game continues you take out strategic points across the various armies and interact with several spies, counter-operatives, and even an unnecessary side plot with another army. In the end, Adams and his troops are subdued, the main station of Vekta is destroyed, and both Templar and Lugar escape.
Relevance: Killzone had great graphics for the PS2 and the HD remake on the PS3 is also no exception. Unfortunately for developer Guerilla, the gameplay kinda sucked, the movement and shooting was complicated and clunky, aside from enemies the environment was sparse, and it just wasn’t that fun to play. It did, however, set up a pretty rock solid storyline and although the main campaign story was recycled and predictable, I will go on record saying I rather enjoyed the overall plot that has nothing to do with actually playing the game. I hate to admit it, but you should probably skip this one, it requires more patience than one really needs to offer an experience like this. Like all HD remakes, the PS3 version may look a lot better, but the gameplay remains mostly identical.
From there the series has two side tangents, both on portable consoles.
As a serviceable third-person shooter for the Playstation Portable (PSP), Killzone Liberation takes place two months after Killzone. You once again control Templar as he seeks out multiple hostages taken by new Helghast leaders General Armin Metrac and right hand Colonial Cobar, both assigned by Vasari to capture key targets in the war on Vekta. As you progress through the game the writing on the wall steers to the Helghast upping tech to attack the ISA and both Lugar and Velaszquez (now known as “Rico” for short) make cameos. At the end of the 4th mission, the final one on the UMD, you discover that upon the defeat of Metrac, Vasari now plans to use nuclear weapons against the ISA and that there is a traitor in Templar’s midst. A fifth mission available as downloadable content epilogues the game with Rico Velasquez being wrongly accused as the traitor and it is discovered that it was instead another solider you worked with throughout most of the game (although he was forgettable).
Relevance: This game was much more gameplay than story, an interesting juxtaposition from the original. I recommend checking it out if you wish – it is compatible with Vita – but going into it with the open mind that it was a dated attempt to utilize Sony’s portable and did it better than most. It will be a lot of work for a storyline I just summed up in a paragraph and requires a piece of paid DLC to fully appreciate. Granted, I give props to Guerilla, who did develop this iteration.
The only jump in development/release dates comes next with the recent Vita release Killzone Mercenary.
It’s kind of a throw away plot that has little to do with the universe. Oh well, here we go. You control mercenary Arran Danner (what is with Guerilla’s names?), a former UCA soldier turned merc that works for whoever has the highest paycheck. During an extraction mission of an ISA diplomat, things go wrong and you end up protecting a little boy as you unfold a plot to use biological warfare on Vekta. You discover that the ISA forces have a way to wipe out the entire Helghast army on Vekta in one fell swoop, but the ethical reality of genocide is too much for this mercenary to bear. He joins forces with the Helghast, eliminating the weapon and extracting the boy, all while keeping their identities safe. At the end it is discovered that Vasari did, in fact, acquire a nuclear weapon in the midst of this conflict.
Relevance: Almost none. The story is throw away, the concepts already revealed in the release of Killzone 2 and it seems this was developer Guerilla’s alternative team showing off their talents at creating an FPS experience on the Vita without damaging the Killzone cannon. While I must admit it adds almost nothing to story or cannon, it is one of the best and most fun games on Sony’s handheld, so just go into it to have fun instead of revealing plot.
Now back to the console trilogy.
After the war on Vekta begins to take a back seat, a full blown invasion of home world Helghan takes shape with the ISA forces hoping that the elimination of leader Vasari will essentially “cut the head” off the army and discontinue the attack of Helghast forces. You now take control of Tomas “Sev” Sevchenko, a special forces operative, as they begin the invasion on Helghan. During an assault on the anti-air measures of the capital city Pyrrhus, Sev discovers that the Helghast have been able to harness the natural Helghan (planet, not army) resource of Petrusite, allowing for arc towers that can basically zap and destroy any solider or armament against them. As they attempt to take out the Tharsis Refinery on the outskirts, Colonel Radac (your nemesis for the game) kidnaps key members of Sev’s group. It’s not all bad news, Sev does discover the details behind Red Dust, the nuclear weapon, and manages to steal the launch codes before breaking out and escaping with his team. Everyone extracts to the New Sun, an invasion ship of the fleet that assaulted Helghan. Radac predictably finds his way on board, kills a key member of Sev’s team (playing the game reveals more background on character Garza) and steals back the codes, however the dying member Garza manages to crash the invaded New Sun into the Tharsis Refinery and ruin most of the arc tower plans. The game wraps with Sev and Rico invading the Helghan capital to capture Vasari, but being somewhat delayed by the triggering of Red Dust on the city. The two continue into the capital, fight a ridiculous boss battle with Radac in the process, and the gloomy words of Vasari convince Sev to kill the Helghast leader instead of taking him into custody. As the sun sets over Pyrrhus a massive Helghan fleet is revealed and ready to take out the ISA.
Relevance: Killzone 2 is a hell of an experience. Relatively long compared to other first-person shooters, roughly 12 hours, and with an enemy AI and “killbox” level design that forces you to play hyper aggressive, it’s unlike most games of its times. Couple that with gorgeous graphics, cool weapons, and a cover system not unlike that in Gears of War and there’s little reason to give this one a try. It was somewhat forgotten with an early 2009 release that put it outside the holiday season, immediately following Resistance 2, and in direct competition with Resident Evil 5 (not to mention Gears of War 2 just went up against Resistance 2 at the end of 2008). Of the games released on the Playstation 3 platform, I still consider Killzone 2 one of the top 5 games to try on the console despite it’s ridiculous final boss battle.
Opening immediately following its predecessor, the goal is now to get Sev, Rico, and the rest of the ISA forces off Helghan and out of the eye of the storm that is retaliation. Next in command of the Helghan forces is Admiral Orlock, a man not unlike Vasari in his ability to use rhetoric and propaganda to get his way from the Helghan senate. Not in his court is Jorhan Stahl, head of Stahl Arms Corporation and responsible for the largest number of military resources on Helghan. It is clear that these two men don’t get along and there may be some competition for the “throne” of leadership. Sev and Rico attempt an extraction and some botched plans and assaults later the two are marooned and separated on Helghan, lasting more than 6 months on the run. In the meantime, the senate grows weary of Orlock’s leadership and the suggestion is made that Stahl take leadership. While it doesn’t happen, Stahl withholds prototype weapons from the Helghan army and decides to use his own private forces to hunt down the lone soldiers in direct competition to Orlock, who has been hunting them for half a year. In the meantime, Sev makes his way to the Helghan jungle (an interesting level), speaks with Vekta leadership, and a cease-fire is negotiated to extract the soldiers. Stahls men find Sev and capture him, resulting in Rico and a few of his men saving him (this is now par for the course).
During the escape, Sev and Rico discover a plot to eliminate all of Earth’s forces from Stahl, using a prototype weapon. As a result they go about infiltrating and destroying Stahl’s forces before attacking the man himself. This entire conflict takes place in space, specifically in the Helghan orbit, and involves some interesting space combat, physics, and an eventual push to Stahl himself. After a brief battle, Sev drops a massive Petrusite nuclear bomb on Stahl’s cruiser to eliminate any chance he will be a threat, resulting in a nuclear fallout that wipes most of Helghan. After some reflecting on killing millions of people all at once, Sev and Rico return to Vekta and a post-credits scene shows two Helghast soldiers investigating an escape pod on Helghan and stating, “Welcome home sir,” implying that Stahl may very well be alive.
Relevance: Killzone 3 was a bit gimmicky. It had 3D, jetpacks, and plenty of crazy weapons on its side, but in the end it just wasn’t as strong as its predecessor. Still, it was quite enjoyable and many liked the new lighter feel of your fighter and his ability to act a bit more like a Call of Duty soldier (which I felt was a step back). Multiplayer continued to thrive and with long battles, massive maps, and rotating objectives, still stands strong today as an exclusive multiplayer shooter.
And that’s the story at this point. With the preview coverage I’ve seen on Killzone Shadow Fall up to this point I think it’s safe to assume that much like the other iterations, it will be a visual masterpiece with the jury still out on gameplay. Here’s hoping it plays as good as it looks.
At first glance Game Vault, located just outside the core downtown area of Omaha, looks like another clone of GameStop. Upon entering, you may still feel that way as most of the walls are lined with modern PS3, 360, and Wii titles along with a large flat screen television that is displaying an endless playlist of gameplay videos. It wasn’t until I began to browse the large glass cases and have a brief chat with owner Scott, who was the only employee in his store on this brisk Saturday morning, that I learned Omaha has quite a great local game store.
His featured glass case contained a few instantly recognizable gems of retro gaming, such as a boxed complete copy of Earthbound on the SNES (he also had a loose cart for the more budget-conscious), as well as other SNES classics like Super Metroid, Super Mario RPG, and Yoshi’s Island, all boxed and complete. Rarely have I entered a store that not only provided such care on these holy grails of gaming, a few of my friends have been searching for boxed complete copies of these games for years, but his prices were reasonable. It’s not just the SNES that he has to offer, I was stunned to find everything from a stack of Atari 2600 games to a batch of decent 3DO titles and even a Jaguar game or two. In fact, I don’t think it was possible to name a system this guy didn’t have at least a few games for (including PC games, new and old). He even had an import game section that had a mint copy of Dino Crisis on the PS1 from Japan, as if resting on the shelf just for me. Often times when you see stores like this, I remember one in particular in downtown Chicago and another in New York, that you expect heavily inflated prices. Not the case in Game Vault, Scott’s prices are fair, easily topping most of GameStop’s and eBay’s prices, and he doesn’t require a game club membership or anything to get the best price. All in all, Game Vault is one of the most diverse and well stocked used game stores around. I’m now saddened I don’t live in Omaha.
His inventory aside, owner Scott O’Dell knows what makes a good store run. I know this because I saw it firsthand. He’s not an elitist gamer, nor is he a socially awkward super nerd; he’s just a regular guy who is proud of his store. From talking with him and his friendly regulars I was able to discern that he had spent at least a little time at GameStop, but as a responsible business owner he had nothing negative to say about the chain. Instead he focuses on informing his customers of the many benefits, including price, that his store offers. Customer service is one thing, but he also knows his stuff. We chatted for a short time about all kinds of topics from the crazy things he sees come through his doors that people want to sell to the attack of popular games. Scott doesn’t care if you’re there for Call of Duty or Panzer Dragoon Zwei, he just wants to make sure you get what you want. We talked about things like the elitist retro gamer, the massive increase in value of 8-bit and 16-bit era Nintendo carts, and of all things his excitement for Far Cry 3: Blood Dragon. During our entire conversation he never lost sight of the fact that he has a store to run and customers to attend to, politely ducking out of our conversation to help those that came in. That’s good to see because lately I feel that game stores have become the hangout for gamers with no money and lots of time. Employees seem like they would rather chat up nonsense about gaming with non-customers instead of a person like me who is seconds away from dropping $100. It’s the comic shop dilemma, managing your regulars that spend lots of time and little money, with your random customers that could wind up dropping major cash if the circumstance fits. He does the same at the register, chatting up his customers for a brief few moments while the process takes place, then making sure to assist anyone else waiting to check out immediately following. It’s refreshing to meet an owner that is a balanced hybrid between gamer and businessman.
In the end I spent a total of 90 minutes in his store, probably far too long for the amount I spent, and managed to pick up several great items I don’t think I would find anywhere else. Scott recommended Syberia on the Xbox as I discussed my negativity towards retro point-and-click adventures for contemporary players, and I managed to rummage plenty of things I wanted myself. I picked up the aforementioned Japanese Dino Crisis on PS1, an interesting book on the history of Lara Croft (Tomb Raider) for a mere 25 cents, Iron Soldier on the Jaguar, and a copy of Halo: ODST without the multiplayer disc at a heavily discounted price. I noticed he also had tabletop games, which are quickly making a comeback, and after a few minutes of debate as to whether or not to pick up Settlers of Catan, I decided not to on account of the fact I would have to travel with it. Upon checking out Scott mentioned that I had perhaps the most eclectic selection he’s ever seen leave the store, which sums my taste in retro gaming quite nicely. I’m pleased I decided to Google “retro game store omaha” that morning, otherwise I never would have stumbled upon this great brick-and-mortar game store.
This article is my personal impressions of a retro game shop I found while out of town on vacation and is not in any way affiliated with Game Vault or any type of sponsorship. As an avid game collector, I always want to expand my knowledge of game shop locations, especially the ones that get it right, a practice few sites do. If you’re in the Omaha area and want to check out Game Vault, the information on the store is below:
6307 Center St, Suite 102
Omaha, NE 68106
Video game consoles are one of the most interesting electronics items on the market for several reasons. Probably the most prolific is the fact that there are frequent hardware upgrades, which we call generations, that move home consoles forward. Because each new console is basically a piece of hardware frozen in time, the need to innovate and improve on future games demands that they be constantly updated. This works counter to movies or music, which see improvements from new hardware but don’t require the upgrade to enjoy the medium. Imagine if you could play Super Mario Bros. on the Wii but with drastically upgraded visuals or Dead Space on the original Playstation with the juxtaposed setback, this is exactly what we see when we watch Ghostbusters on VHS versus DVD versus Blu Ray. As a result new consoles come out all the time, typically in 5-8 year intervals, and usher in a more interactive experience – it’s important to note that the greatest difference between games and other media is that they are active, not passive experiences – and with it comes a new format for software.
Enter the concern of the consumer. It can be frustrating for both gamers and parents of gamers alike to purchase a new console, especially when it renders an entire collection on an older console useless. As retro gamers I’m sure we see the value in it, but for the majority there’s a want to move forward and never look back. Well, that is until there are enough new games to get me to migrate over. This is another slow start that prevents all but early adopters to purchase new hardware, which can then result in fewer sales. With fewer sales comes more canceled projects on new hardware, which then results in fewer sales of the hardware and the cycle continues until a console is considered dead in the water. Just look at the Virtual Boy, Jaguar, and possibly even the WiiU about this problem; developers have enough to worry about, they can’t also deal with poor penetration rate due to a false start console. One excellent solution to help usher in that awkward period between consoles is the concept of backwards compatibility, or a new console that can play a previous generation’s games.
Backwards compatibility started off as mostly an afterthought, typically triggered by a new console’s use of inexpensive available hardware for another component in a new console. For the most part this was sound boards – the Genesis used a Master System processor for sound as did the Playstation processor for PS2’s I/O port. That made it easy: either use a firmware initialization string or hardware bypass to force the sound chip to be used as the older hardware rather than its intended use. This isn’t always the case, though, and many consoles utilized such drastically new hardware or are so complicated in architecture that making a new console backwards compatible is impossible. All three main console manufacturers ran into this problem with the current generation and had to increase the cost of the machine to prevent lack of backwards compatibility from being an issue. In the case of Nintendo, extra components were installed to make Gamecube accessories and media possible, while the similar architecture of the Wii allowed it to become an overpowered Gamecube. Microsoft had an entire new hardware architecture and opted for software compatibility, which was terrible when it first launched and unnecessary when it was fully integrated. It still shocks me how many people don’t know the poor quality of many original Xbox titles on 360 and how many of the console’s best games are completely unplayable. Sony, fearful of what they saw with Microsoft and holding the largest console library of all time with the PS2, opted to just shove an entire PS2 motherboard into the PS3, making it the biggest console of all time (so far) and costing up to $600 at launch. This was the point at which both the industry and gamers found their limits and suddenly backwards compatibility may not have been all that important. At this point no one cares about backwards compatibility in modern consoles, it has been stripped from Wii and PS3 (which generated significant price drops), and the previous consoles are so cheap that they are worth re-purchasing if absolutely necessary.
It’s important to keep your eyes on the prize and prepare for the next generation of consoles, all of which will be available by this holiday season. Backwards compatibility is good, but rarely is it as good as the original and it will never be worth the expense. Before giving a used retailer your PS3 or 360 for a mere $50-$100 off your new expensive console, consider holding on to it just in case. Like a hard drive in a 360, you’ll surely find it saves you money in the long run. After all, isn’t it about time you joined this retro gaming revolution?
Okay, so here’s why you probably clicked on this article in the first place, the list of backwards compatible consoles. Below is not only the list, but an explanation as to how each console achieves it (mildly technical):
- ColecoVision: With an add-on, which provided the necessary chipsets to do so, the ColecoVision could become an Atari 2600, however there were almost no similarities in hardware (which explains the need for the add-on). This was legally allowed because Atari didn’t use proprietary hardware and thus it was like two manufacturers making the same specs on a PC. Unfortunately for Atari, this hit came twice as hard because the 5200 was not backwards compatible either. With the courts ruling in the favor of Coleco, they even created a clone system called the “Coleco Gemini” that was, chip for chip, an Atari 2600 and sold it in stores.
- Atari 7800: This was the first console to actually be backwards compatible and played both 7800 and 2600/VCS games, but not 5200. Atari fans were livid with the 5200’s lack of 2600 backwards compatibility, which made sense considering the 5200 contained updated versions of most of the 2600 library. The 7800 ran a SALLY 6502 processor, which could be slowed to 1.19 Mhz and thus operate like the stripped 6507 of the 2600, and then a television interface chip created graphics/sound while adapted chipsets allowed the 7800 to function with limits to the confines of the 2600. This would have been implemented sooner than the late release window of the 7800 had the console not been shelved for over two years after the video game crash.
Known Issues: Atari integrated a content lock-out chip that blocked adult 2600 games (Custer’s Revenge, etc).
- Sega Genesis/Mega Drive: The Sega Genesis may have used a 68000 processor for its “blast processing” but it also used the Master System’s Z80 processor for its sound chip. Thanks to an add-on called the “Power Base Converter”, which plugged into the cartridge slot and gave the Genesis a Master System cart/card slot, the 68000 was deactivated and the Z80 took over. This made the Genesis literally turn into a Master System, which was one of the first to do so thanks to the previous console’s co-processor chip.
- Gameboy Color: While it may seem to be a no-brainer, the Gameboy Color actually has significantly more processing power, RAM, and palette as its predecessor. This is why you cannot play Gameboy Color games in a Gameboy, it just can’t keep up. On the other hand, the Gameboy Color was backwards compatible with Gameboy thanks to a few of its similarities. For starters the Sharp LR35902 processor was merely an adapted (possibly overclocked) version of the Gameboy’s Z80 processor, screen resolution and cartridges were the same, and RAM was merely three of the Gameboy’s RAM chips. As a result the machine could be locked off into “Gameboy” mode, much like the 7800 could do for 2600 games, and the four hues of green on the Gameboy were adapted into multiple color pre-sets that the user could choose from.
- Gameboy Advance: Like many other consoles, the Gameboy Advance used a Z80 coprocessor for its sound chip. This allowed the console to play both Gameboy and Gameboy Color games by simply making the co-processor function as the only processor. Pressing L and R buttons allowed you to toggle between the original resolution and a stretched version in the larger GBA resolution.
- Playstation 2: It’s hard to find good techinical data on the topic, but I’m fairly certain that the I/O port processor, or the device that reads the media and transfers it to the hardware, utilized the PS1’s R3051 33 Mhz processor. This meant that when it was reading a disc and detected it was a PS1 game, it could stop sending information to the PS2 and simply function as a PS1 instead. Having no true knowledge about how these consoles work beyond that, I can’t tell you for sure how it was able to control all other aspects of the system needed to play PS1 games, but that’s how it was able to do so.
Known Issues: Due to the console not having the true hardware configuration of the PS1, there is a short list of games incompatible with the PS2 depending on your console. Oddly enough, the slimline model was even incompatible with some PS2 games.
- Nintendo DS: Nintendo definitely wants to keep its legacy alive, and repurposing the chipsets of older consoles is an inexpensive way to innovate, but the DS was the first console not compatible with all previous consoles. While it does technically have all the hardware needed to play all previous portables, the DS only has a cartridge slot for the Gameboy Advance and the later DSi and DSi XL models have removed that slot completely. Still, for those that have a DS or DS Lite (preferred), you can run any GBA game you like on it.
- Xbox 360: Light years had passed, technologically speaking, between the original Xbox and the 360 even though ironically only four short years had passed in actual time. The 360 and its predecessor were both basically streamlined computers and their hardware configurations were so diverse that it would be impossible to have the 360 function like an Xbox. Microsoft’s solution was software emulation. With a scant 733 Mhz Pentium III in the Xbox and a beefy 3.2 Ghz multi-core PowerPC in the 360 the console was basically running an emulator when it plays Xbox games. As with most emulators, especially early on, the results are scattered with lots of odd effects. It’s not true backwards compatibility.
Known Issues: Plenty. It was such a headache that after only two major updates Microsoft discontinued support. A large number of games will work, although the setbacks can be as simple as ghosting in Halo 2 and as drastic as the crawling framerate of KOTOR.
- Playstation 3: Sony’s answer shows the extensive hubris they had in the wake of the Playstation 2: jack the price of the console up $150 and slam an actual PS2 into it. There’s no reason to have the PS2 hardware in the console except to play Playstation 2 games, which accounts for the massive size and equally massive price tag. It has some value, though, because these early models provide significant graphical upgrades over the PS2 and are the best way to play its games. Eventually the PS3 dropped the hardware, resulting in a $200 retail price drop for the console, and attempted software emulation that came with a whole new batch of issues. Nowadays, and since 2009, the PS3 has had no PS2 backwards compatibility whatsoever. If you’re looking today, any launch 60GB and 20GB model is fully backwards compatible with PS2 because it has a literal PS2 built in. Any 2008-June 2009 80GB models are software backwards compatible, which is best tested by popping a PS2 game into the console and seeing if it plays. The gunmetal grey Metal Gear Solid limited edition 80GB console is also software backwards compatible. All models of the PS3, including the slim models, support PS1 games. There are PS2 games available on the PSN, which are re-programmed to support the PS3 hardware.
Known Issues: Original 60GB and 20GB have no issues, they are essentially PS2s as well. Software emulation has a long list of unsupported games and issues just as the 360 does.
- Wii: The age old joke is that the Wii is two Gamecubes duct taped together in the box. While this is not true, there is some truth behind it. The Gamecube and Wii use an IBM PowerPC processor and ATI graphics architecture in the same configuration, which basically means the Wii is a mildly souped up version. As a result, the Wii can easily re-create the Gamecube library by literally adjusting the processor speeds. In 2012, Nintendo discontinued Gamecube backwards compatibility, which can be determined by searching the outside of the console for Gamecube controller ports.
Known Issues: For the most part, none. All backward compatible Wiis are also Gamecubes. There are some limited hardware issues when trying to play hardware-specific games or integrate accessories like the Gameboy Advance cable.