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Rock Boshers DX: Switch Review

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Developed and Published by Tikipod

With the Switch becoming ever more popular day by day its no surprise indie developers are starting to re-release a lot of their work onto the system. Developer Tikipod released Aqua Kitty UDX to Switch earlier this year, a game well suited to Nintendo’s hybrid handheld. Now it’s time for Rock Boshers DX to gets turn in the Switch spotlight.  Both myself and Fred reviewed Rock Boshers for PS4 and PS vita and after reading the reviews again I feel everything is still relevant to how I feel about the game today. That review can be found here.

Aqua Kitty minigame

Rock Boshers DX is a love letter to the micro computer days of video games. A time where several video games were developed – some in bedrooms apparently – it was a time where you would see all sorts of crazy game ideas but as the years progressed and consoles became more popular video games became more focused and everyone decided Zelda was the best game ever, the end. Okay, that’s not exactly what happened, but Rock Boshers DX also likes to play with history. You play as Young Victoria in a steam punk future set in 1880. Victoria finds a nice hat that disguises her then decides to head to Mars. After being forced to work in the mines and “bosh” some rocks, your goal is to escape and find a way home and possibly bump into Charles Darwin a few times as you do. The story is just brilliant and your curiosity to what will happen next will carry you through the games 24 stages. Once you’ve finished with the story you also have four arcade style games to enjoy which are unlocked by collecting tea, scone and cheese collectibles in the main game. Not sure I know any other game that uses this as a collectible.

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Written by jamalais

December 7, 2018 at 3:00 pm

Posted in Reviews, Switch

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Monster Boy and the Cursed Kingdom Review

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Developer: Game Atelier                             Publisher: FDG Entertainment 

Monster Boy is the spiritual sequel to the Wonder Boy franchise, a series Sega has left dormant since 1994. These games were hugely important to me growing up and hold a very special place in my heart. I probably love the Wonder Boy series how people love the Zelda series except without dressing up as one of the characters (real chain mail is expensive). For me it has been a very long wait for a sequel spiritual or otherwise. We have since seen a few re-releases of the previous games on multiple digital platforms. In 2017 developer Lizardcube gave us a beautiful remake of Wonder Boy: The Dragons Trap. Originally we were going to see Monster Boy release that same year but developer Game Atelier decided to halt for a final year to polish up the gameplay and completely redo the graphics. Its been almost five years of development for the team, was the wait worth it?

On booting up the game you’re greeted with an impressive anime style cutscene which gives you a preview of the enemies you will be fighting and the animals you will be playing as. The song playing is also awfully addictive and it hasn’t left my brain since I heard it at E3 this year.  You play as Jin, a young chap with blue hair whose uncle appears to be up to no good changing the people of Monster World into animals as well as having a potential drinking problem. It’s not long into the story when your Uncle turns you into pig dressed in pirate gear (a nod to my favourite NPC in The Dragons Trap). You soon learn that to lift the curse you need to collect five magical orbs scattered across various dark corners of Monster World. The story comes with a few twists and turns and inevitably ends up as a typical save the world type tale. What makes this story stand out however, is its sense of humour. All the characters speak with text boxes including Jin himself and won’t shy away from making a witty joke about the current situation. Right up to the games darkest turns it was hard not to laugh at some of the games witty attempts at humour. The story is straight forward to follow and doesn’t really get in the way of your adventuring. Should you need to repeat sections of the story the game does allow you to skip them.

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Written by jamalais

December 7, 2018 at 11:00 am

Call of Cthulhu (2018) Review

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The works of H.P. Lovecraft are a great source for horror with the cold American East Coast being a predominant backdrop for the mysteries of the sea, secret cults, ancient gods, and of course the fragility of the human condition.  I’ve always felt these works lend themselves to the written word much better than other media due to the way Lovecraft tends to portray things with suggestions of the indescribable and the subjective way a person’s perspective can twist reality.  This is also why in gaming form I find the pen and paper RPG Call of Cthulhu captures the essence of these works because the entire game is much like its source material: interactive works of written (or scripted) fiction.  The challenge faced with video games the challenge of taking the themes of Lovecraft and turning them into a form of gameplay that is both realistic and enjoyable.  While a few attempts at Call of Cthulhu – a name that is used more for its notoriety and less for an actual connection to the short story – have been made, no studio has really been able to nail the gameplay part.  No matter how much I respect the old Infogrames adventure games or Dark Corners of the Earth, all of the Call of Cthulhu titles require caveats when recommending them.  As much as I had hoped developer Cyanide’s Call of Cthulhu game, based on Chaosium’s aforementioned pen and paper RPG, would break the mold it fails to overcome the gameplay challenge yet again.  Fortunately it oozes the dark and twisted world that is so unmistakably Lovecraft that you may excuse the gaming faults for overall experience.

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Written by Fred Rojas

October 30, 2018 at 11:00 am

Horror Obscura 2018: Dark Castle (Mega Drive/Genesis)

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In the past Horror Oscura I have explored games which are focused around horror and the use of horror in games you would not class as a horror title.  This year I wanted to go back to my childhood and re-visit one of my biggest horrors: Dark Castle on the Sega Mega Drive (Genesis in North America).

Back in my childhood I was scanning the cheapest of the used Mega Drive titles in the retailer “GAME” on the South Coast of England when I came a came across Dark Castle. This was back in the 90s, I saved up my cash long and hard to treat myself to a video game. At a young age I was drawn to dark themes and games that just weren’t well known so Dark Castle, matched that category. Looking at the box now though one may question what I was thinking. The front of the box has a gargoyle on it stuck like old Clip Art on a background of a castle entrance. Not particularly appealing. The back of the box quotes, “climb the ramparts of the Dark Castle and dethrone the Black Knight.” An interesting quote but not a lot to go on. Keep in mind in the UK the back of the box often had a very short description of the game in multiple European languages. The instruction manual also included translation for 6 European languages. Flipping the back of the box over I guess it was the screen shots that appealed. Pictures of a eyeball creatures with hands, zombies looking monsters. Back then the game cost me £12.99 (the price sticker is still on my copy to this day), some may consider that a horror to itself.

So what is this game about? Dark Castle is a 2D adventure platformer. The game is presented as single screen levels most of which you just need to reach the end to survive. Some will require you to solve some head scratching puzzles. As young Duncan your objective is pretty simple: defeat the Dark Knight. However, to do this you need to complete three quests as outlined in the instruction manual titled “Trouble,” “Fireball,” and “Shield.” Completing the latter two will give you a item that will help you in your quest, more on these later. When you begin the game you are literally presented with four doors. Two doors have a “?” the other two “BK” with a shield. BK of course stands for Black Knight. If you are brave enough you could just attempt to take on the Black Knight and finish the game super fast, this goes against what the instructions advises but it can be done. Not so easy if you choose the Hard difficulty setting though. If you go in blind in the game you just have a choose a door and hope for the best.

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Written by jamalais

October 29, 2018 at 11:00 am

The Council Episode 4: Burning Bridges Review

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If you have not read our review containing the previous episodes, it’s highly recommended as it’s not only referenced, but we may not discuss many of the mechanics present in previous episodes.  This was to prevent redundant comments and move directly into the changes in the current episode.  Eventually the link above will serve as the location for all episode reviews.  This review contains no spoilers.

Going into episode 4 of The Council I had absolutely no expectations.  The story was stagnant, the character development was marred by writing away plot holes with twins and the supernatural, and the gameplay was almost flat out boring.  I had grown tired of Louis and this fun alternative take on history because it seemed like the development team was out of ideas.  What started as an experiment in alt history along with a modern take on the adventure genre had become a series of fetch quests surrounding a main, but rock solid, puzzle with all plot points stressing answers to “a mystery.”  I didn’t think there was anything developer Big Bad Wolf could put in as an explanation that would live up to this fabled mystery.  In that regard, I will admit I was wrong, because Episode 4 throws you a massive curve ball and begins to answer questions left and right.  Events transpire at a lightening pace compared to what we’ve seen previously and some major events are given out like candy.  It also was apparently a good time to introduce a whole new mechanic that seems to heavily null some of the old mechanics, and the confrontation system has become a minefield for your usable resources.  The whole game was dialed up to 11 and it all seemed rushed out, which I’m betting it was.  While I have to admit I enjoyed playing through Episode 4, it’s frantic attempt to get things back on track came at the expense of it’s largest asset: the previous episodes no longer matter.

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Written by Fred Rojas

October 1, 2018 at 11:00 am

The Council Episode 3: Ripples Review

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If you have not read our review containing the previous episodes, it’s highly recommended as it’s not only referenced, but we may not discuss many of the mechanics present in previous episodes.  This was to prevent redundant comments and move directly into the changes in the current episode.  Eventually the link above will serve as the location for all episode reviews.  This review contains no spoilers.

In many ways I consider the third episode of a five episode series to be the moment of truth.  It seems episodic titles are doomed to have weaker second episodes because of the natural arc of plot and character development, but typically you get a twist and/or climax in the third episode that redeems everything.  While The Council definitely follows this formula, it was disappointing to see that while the story takes some drastic new turns, what you actually play is the same old song and dance.  I don’t know what I was expecting, but it surely wasn’t yet another trip through the mansion followed by a huge dump of exposition and concluding in a long obtuse puzzle…again.  Regardless of those expectations, that’s exactly what I received, which has me weary of future episodes and frankly a bored in the current one.  I didn’t even play this episode a second time, there seemed to be no need.  If you’re not fully invested in the overall season before going into this episode, it’s probably best you stay away for now.

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Written by Fred Rojas

July 30, 2018 at 11:00 am

Unravel Two Review

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At E3 2015 a shy developer named Martin Sahlin walked onto the Electronic Arts (EA) stage and announced his passion project Unravel, developed by Coldwood Interactive. This would be the first game to be part of the “EA Originals” program, where EA helps fund small independent game projects and allows the developer to keep all the profits (after repaying the funding and also publishing/marketing budgets). Despite how you personally feel about EA as a company this is proof that sometimes there is heart even in a big corporation like EA. While the internet would take note of the developers nerves and fragile presentation for the time it felt real and it was clear Unravel meant a lot to Sahlin. In all honesty I would struggle to talk in front of a large audience even if it was about something you loved.

Unravel was a cute, puzzle-based platformer where you play a character made out of wire and yarn. The game had beautiful music that moved me in ways that I rarely experience in games. I guess it was made even more unique and special to me because the reception for Unravel wasn’t favourable across the board. My partner loved watching me play Unravel too. I loved Unravel so much that in preparation for my wedding in 2017, I decided to make 112 Yarny dolls myself in accordance with the number of guests attending (another game inspired decorations but that’s a tale for another day). We knew a sequel was on the way, EA had reported it had been successful, and the developers were already at work on it. My partner and I would theorize what the sequel would be like, with the biggest wish on the list being the inclusion of local co-op; this seemed to be the best evolution of the series. E3 2018 rolls around, Unravel Two gets announced, and both my wife and I leaped for joy. Then we leaped a second time because it was revealed the game was available on the day of announcement and includes co-op. I was so eager to purchase the game I refreshed the Xbox One store page six times as well as switching the console on and off again twice just so I could purchase and download it. I rarely get this excited for a game on launch.

Its taken me a while to get to the actual review of Unravel Two, but I felt the above paragraph was important as it discloses how much the original game meant to me and additionally how difficult it was to write the following review.

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Written by jamalais

July 5, 2018 at 11:00 am

Vampyr Review

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Being a vampire isn’t at all what I imagined. After falling victim to the embrace I awoke with all knowledge of who I had been in my past life.  In my previous life I was Dr. Jonathan Reid and my area of medical study was both in hematology (the study of blood) and trauma surgery.  I was a risk taker and had achieved renown and contempt for my tactics in transfusion.  This all assisted me in getting a job at the Pembroke Hospital, a London-based institution that has a reputation similar to my own, and attempt to help the people there. That’s right, I’m helping humans get medical attention and curing what ails them.  It is the year 1918 and the city is plagued by the aftermath of the Great War, which still wages on, and the Spanish Flu is taking more lives every day with increased effectiveness.  On top of all of this monsters roam about the streets at night, and not just vampires either.  In these times the relationships you establish are key, the politics of both the human and vampire world are always a consideration, and it’s fair to say something apocalyptic may be afoot.  This is Vampyr.

The newest game from studio Dontnod, known previously for Remember Me and Life is Strange, is going all in on the skills it has developed for in the past and combining them into an open world action RPG that leverages story to propel things forward.  Whereas quest givers and NPCs can be seen as somewhat throwaway or in the least dismissed after their vignettes, no one in Vampyr is forgotten after you meet them unless you will it so.  The beginning of the game will introduce you to nearly a dozen characters, each with their own story, background, thoughts, opinions, and connections to other characters.  Getting to know everyone is an arduous task that will surely make up the first two to three hours of your game, but fortunately all of the pertinent details you receive are kept organized and available to you in your notebook.  Unlike other vampire tales, every person you meet is key to the continuation of your story and will assist you at getting to your next goals, just not necessarily the way you might expect.  Along the way you will open up more districts to the point that your cast is roughly 40 characters that you should consistently manage the health, relationships, and well being should you need them in the future.  And trust me, you may need them in the future.

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Written by Fred Rojas

June 4, 2018 at 5:00 pm

The Council Episode 2: Hide and Seek Review

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If you have not read our review of Episode 1, it’s highly recommended as it’s not only referenced, but we do not discuss many of the mechanics present in both episodes.  This was to prevent redundant comments and move directly into the changes in Episode 2.  This review contains no spoilers from either episode.

It has been nearly two months since the premiere of The Council, which has now returned in its second episode Hide and Seek.  In my previous review I said that I was optimistic about the future of this new interactive fiction, but sadly I have to report that this sophomoric effort has me wavering.  The initial episode bombarded you with plot, characters, and mechanics that both fascinated and daunted.  This is to be expected, it’s an introduction, but sadly this episode doesn’t even make good on some of the concepts introduced in the first.  That’s not to say the core design is absent, just that it feels like a padded experience relying far too much on the ebb and flow of your build and points than with an intriguing plot or well thought out puzzles.  I also didn’t like that this chapter leans heavily on classic adventure game mechanics, a genre I personally despise due to your need to basically read the developers mind, and was mostly absent from The Mad Ones (episode 1).  Probably my biggest concern coming into Hide and Seek is that almost none of my decisions from The Mad Ones seemed to have much of an effect.

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Written by Fred Rojas

May 15, 2018 at 11:00 am

Video: Let’s Compare Star Wars Knights of the Old Republic

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Thanks to the backward compatibility program on Xbox One, you can now play Knights of the Old Republic (KOTOR) in 1080p on the Xbox One and 4K on the Xbox One X. In this video we compare the resolution and performance of the original Xbox version, the Xbox 360 emulated version, both Xbox One versions, and finally the PC (with an without mods). This video is mastered in 4K at 60 fps, so if you have a screen that supports it we highly recommend viewing on that.

Written by Fred Rojas

April 27, 2018 at 11:00 am