Archive for the ‘SNES’ Category
There’s just not much like the game E.V.O. Search for Eden. On top of its ultra rarity that forces most players to use nefarious means, it is a unique title by any definition for the SNES. Fred and Jam delve into a game that is much more action RPG than the creature creator it’s often associated with.
For Fred’s triumphant return to streaming with Retro Game Night with two games you’ve (probably) never played.
First up, in honor of horror and October, is Laplace no Ma (loosely translated to Laplace’s Demon) that is a hybrid survival horror and dungeon crawling RPG. Developed by Group SNE and published by Vic Tokai on the Super Famicom, this is a unique 16-bit follow-up to the concept first started by Sweet Home. Thanks to a fan translation, it is now playable in English.
To wrap up the show, Fred takes a look at the recently unearthed prototype cart of Shadowhawk, based off the Jim Valentino comic of the same name. Originally planned to release on the SNES in the early 90s, this 2D side scrolling platformer was lost to time and lack of a publisher only to be discovered nearly two decades later. You can find this ROM here and it is playable in emulators or on actual hardware via flash cart.
This week Fred and Jam celebrate the 25th Anniversary of the release of the Super Nintendo Entertainment System (SNES) in North America. The duo delve into the design, hardware, regional differences, and of course the games that defined a major portion of the 16-bit generation. As the show wraps the new game club title is chosen, what will it be?
As I said in a previous article regarding Wolfenstein 3D, “Wolfenstein 3D did it first and Doom did it best.” The same team, id Software, created both games so it’s less of a competition and more of an evolution. While I agree that all games are a team effort, the technology that runs these games can sometimes be credited to one person. In the case of Doom that one person is none other than John D. Carmack. By this point most of us are aware of John Carmack and what he’s contributed to video games as a whole, but back in 1992 he was the guy creating a new engine for a new game. That engine was called the Doom Engine. Carmack claims the name Doom came from the movie The Color of Money in which Tom Cruise describes a custom pool cue as “doom” when questioned as to what’s in his case. It was created to enhance the first person shooter to include different heights, distances, and even sound effects in stereo for a more realistic type of game. In truth the hardware of the time couldn’t handle rendering a 3D world so the game is actually all on a flat plane in the code, which is why rooms never overlap and you can shoot a guy on a ledge by just aiming at the wall beneath him. I don’t know about the rest of you, but in 1993 I hardly noticed. Doom had positional breathing of mutant men, lighting effects (including dark rooms), a hybrid cyberpunk and distopian Hell setting, and a ton of violence. It was the rock star of the video game world.
We all love old video games, but the frank reality is that as they age our consoles run solely on obsolete technology. As the basic capabilities of modern hardware increases, so does the ability to mod classic consoles to keep up. In addition, new accessories also come on the scene to serve needs that were either impossible or too expensive in the past. This episode covers the earliest cartridge-based consoles and the many modifications and accessories you can get for them. In part 1 of this two-part series we get a bit technical, but also present the many options you can potentially research.
The Clock Tower series has always been a unique horror title since it’s western inception on the original Playstation. There are no weapons, no fighting, and the main mechanic is hiding from a small man swinging around massive shears that will only result in death if your character is found. What many may not know is that the series actually began in Japan only on the SNES (and even had a remake of sorts on the Playstation, again in Japan only). Thanks fan translations, Jam and Fred sit down to discuss this initial outing that we in the West never got and is probably the strongest entry in the franchise.
Here it is, the challenge that spawned from Fred’s mystery game 3-pack in March. It was brutal, it was frustrating, it was on easy…but Fred has beaten Super Empire Strikes Back and what better time to reveal the video but May the Fourth. Enjoy.
Platform: Super NES, Gameboy Color, Gameboy Advance – Note: Portable versions have compromised graphics and performance
Digital Release? Yes, 800 points on the Virtual Console for Wii and Wii U (optimized for Wii U)
Value: $18.52 (SNES)/$6.51 (GBC)/$10.00 (GBA) – cart only, $38.97 (SNES)/$16.24 (GBC)/$20.00 (GBA) – complete, $80.00 (SNES)/$53.07 (GBC)/$51.00 (GBA) – sealed – According to Price Charting
Donkey Kong Country (DKC) on the SNES is a game held in high regard by a lot of Nintendo fans. Developed by Rare, who at the time was a second party developer to Nintendo and consistently releasing new and unique IPs, which only got better when it came to the follow up console the N64. Nintendo was quite happy for Rare to develop a game starring Donkey Kong, who up to this point was just sitting on Nintendo’s shelf not really doing a lot (development on this title began before the Gameboy re-hash of Donkey Kong ’94). Rare came up with an idea for a platformer that proved to be very successful and led to two additional sequels being developed on the SNES and then a 3D iteration on the N64. It is now time to peel back a banana and see if this SNES game still holds up today.
Switching It Up
A lot happened both in the talent pool of Mortal Kombat players and in the game design overall between the release of Mortal Kombat II and Mortal Kombat 3 (MK3). For starters there was a mass exodus of on screen talent due to royalty disputes, so almost no one from the original two games returned for the third release. In addition, Boon and his team were trying to turn Mortal Kombat into a viable fighting game with things no one had ever seen before and mechanics that could compete with the massive rush of fighters in arcades. The game was completely Americanized, with all hints of Eastern influence including symbols, locales, and the soundtrack completely absent without a trace and instead replaced by urban stages, 90s hip-hop soundtracks, and cyborgs replaced the signature ninjas. These locations were now composed of pre-rendered 3D backgrounds and the character sprites were almost totally digitized as opposed to the digitized/hand drawn hybrid of the previous games. Along with it came an overhaul of the controls, including combos and a “run” button to address rightful claims that defensive players ruled the previous title. It’s all one giant 90s metaphor but that doesn’t change the fact that MK3 (and it’s update Ultimate MK3 or UMK3) stands as the moment I felt the series went into the mainstream fighter territory. Couple this with the fact that it was on just about every console that existed at the time, still dominated arcades, and had more content than rival Street Fighter II could ever dream to do with its iterations and I see why it’s creator Ed Boon’s favorite. Mortal Kombat 3 definitely upped the ante.